Friday, May 26, 2017

Robert Mitchum, Remarkable Actor

A virginal woman.  A man who's had a hard knock life.  Both are surrounded by a enormous mass of water.  In that water approaches an evil World War enemy.  The man and woman will bond.  Director John Huston gave us those elements in 1951's THE AFRICAN QUEEN starring Humphrey Bogart and Katharine Hepburn.  Both stars were nominated for Oscars.  Bogart won for Best Actor, the second of his three career Oscar nominations.  Huston also gave us those elements in a film that doesn't get any mention when folks discuss the John Huston film canon, but one I recommend.  Robert Mitchum and Deborah Kerr star in John Huston's 1957 action drama called HEAVEN KNOWS, MR. ALLISON.
Just like THE NIGHT OF THE HUNTER, this is a film that shows how remarkable an actor Robert Mitchum was and leaves you stunned that he received only one Oscar nomination in his long, impressive film career.  That was Best Supporting Actor Oscar nomination early in his movie career for 1945's STORY OF G.I. JOE.  Like that film, HEAVEN KNOWS, MR. ALLISON is a story set during World War 2. Mitchum plays a Marine survivor at sea who lands on an island in the Pacific.  Deborah Kerr plays a nun, the lone survivor on that island when he arrives.
I'd seen this movie before on TV but I had not seen it in a few years.  I saw this it's one Netflix and I watched the CinemaScope, DeLuxe color, 20th Century Fox production over the weekend.  Wow.  Mitchum was a very popular movie star but, man, was he one under-rated actor!  He and Deborah Kerr as so good together, so natural in their fully committed performances that there are moments when it seems the scenes were spontaneous, like they're not acting at all.  He's at his movie star peak in this film.  He's great to look at.  That man is one prime hunk o' beefcake in HEAVEN KNOWS, MR. ALLISON.  And Mitchum was cool without trying to be cool.  It was just part of his being.  Like breathing.  I think that we moviegoers were often so caught up in his coolness that we didn't really see his expert acting.  His skills were so fine that they were almost subliminal.
When the Marine is marooned on that Pacific island, the first thing he sees is a crucifix.  One is at the head of a grave.  Another is at the top of a small chapel.  A third is worn by Sister Angela.  He's not a religious man but he respects hers.   Keep in mind the story takes place at a time when Irish Catholics had been treated like second-class citizens in America.  They must keep in hiding because the Japanese will invade the island.  Sister Angela has not yet taken her final vows.  As they survive on the island, she will learn from him and see for herself that war is hell.  From her, he will learn about virtue and faith.  Even though he's survived and will again be surrounded by the evil enemy in wartime, with Sister Angela he will find a peace in his heart that he's rarely known.  She will learn that she could have love and happiness and still be devoted to her Catholic faith if she chooses not to take her final vows.  The slight but noticeable breeze of mature sexuality in HEAVEN KNOWS, MR. ALLISON is very subtle and very well-played.
 Did you see Audrey Hepburn in ROMAN HOLIDAY?  Remember the press conference that the young princess holds near the end of the story?  A journalists asks a question and she sincerely answers, "I have every faith in I have faith in relations between people."  Well, HEAVENS KNOWS, MR. ALLISON is about that very kind of faith.

Huston's film brought Deborah Kerr one of her several Oscar nominations for Best Actress.  He and co-writer John Lee Mahin (RED DUST, CAPTAINS COURAGEOUS, BOOM TOWN, QUO VADIS) were Oscar nominees for the screenplay.

Mitchum's character calls himself "a big, dumb guy" who is "Marine through and through."  Listen to him.  He sounds different than he did in the film noir classic OUT OF THE PAST, in HIS KIND OF WOMAN with Jane Russell, as the psychotic killer preacher in THE NIGHT OF THE HUNTER, as the Australian sheepherder family in THE SUNDOWNERS with Deborah Kerr or as the billionaire playboy in the satirical comedy WHAT A WAY TO GO! with Shirley MacLaine.

After I graduated from Marquette University in Milwaukee, I stayed there instead of going back home to L.A. to find broadcast work.  I find it there soon after graduation.  I lived and worked in Milwaukee for ten years.  The Marine is a man who grew up in Milwaukee.  As a baby, he was left at a Milwaukee orphanage.
As soon as his character revealed that, I went "Wow.  Mitchum was great."  Robert Mitchum does an accent I heard for years especially from Southside Milwaukeeans when I lived in that city.  It's an actor's detail I never saw or heard mentioned in reviews, but it's there.

HEAVEN KNOWS, MR. ALLISON was good Saturday night entertainment.  If you're a Robert Mitchum fan and you've never seen this one, check it out on Netflix.  His talent deserves re-appreciation.

Thursday, May 25, 2017

Hey, TCM, Bring In Some Black Folks

As I did when I wrote about same thing months ago, I must tell you that I've been a devoted TCM viewer since 1999 in New York City.  Robert Osborne lived in New York City.  One of my favorite memories is when he talked to me for a few minutes about the 1954 remake of A STAR IS BORN, the film in which Judy Garland made a spectacular screen comeback.  I miss him.  Ben Mankiewicz has done a smooth job growing into the role of TCM's main host.
I'm thrilled to see Tiffany Vazquez host on weekends.  It was great seeing actress/author/historian Illeana Douglas do red carpets interviews for the TCM Film Festival.  I loved Ben's festival question about the racial relevance that 1967's IN THE HEAT OF THE NIGHT still has.
When IN THE HEAT OF THE NIGHT was released, there were no African-American film critics working for top newspapers.  There were no Black film critics on local or network news programs.  All these years later, there's still no Black film critic on a network news program.  When cable's AMC was American Movie Classics, it never hired an African-American host.  But it always saluted Black History Month.  You can probably tell where I'm going with this.  Let me use Judy Garland's screen comeback to make my point:  There were more Black people in the legendary Oscar race for Best Actress of 1954 than we see as guest hosts on TCM.  And we're just about halfway through 2017.  Judy Garland was the Oscar favorite for A STAR IS BORN.  In an upset that folks still talk about, the Best Actress Oscar went to Grace Kelly for THE COUNTRY GIRL.  Dorothy Dandridge made history as the first African-American woman to be nominated in the Best Actress Oscar category.
The other nominees were Audrey Hepburn for SABRINA and Jane Wyman for MAGNIFICENT OBSESSION.  Dorothy Dandridge made Hollywood headlines with her nomination for 1954's CARMEN JONES. What a fine actress she was.  But race discrimination severely limited her Hollywood career after that groundbreaking, historic and well-deserved Oscar nomination.

Now...let's look at TCM.  This year's TCM Film Festival promo didn't have a shot of or a soundbite from a Black TCM fan attending the festival.  There was no Black correspondent on the TCM Film Festival red carpet in Hollywood for the special IN THE HEAT OF THE NIGHT anniversary screening, a screening which Sidney Poitier and Quincy Jones attended.  There's no African-American tour guide in the TCM Location bus tour spots.  There's hasn't been a Black person sipping wine with Eddie Muller for the TCM Wine Club. Alec Baldwin is the new host for Saturday's TCM  The Essentials.  His first three guest co-hosts are David Letterman, Tina Fey and director William Friedkin.  Author Eddie Muller is a totally cool host for the new Noir Alley on Sunday mornings.  African-American actors were never the stars of film noir classic Hollywood films, so we're not seen in that promo.  February was completely devoted to Oscar-nominated films leading into the Oscars telecast on February 26th.  That replaced possible Black History Month programming.  There hasn't been an African-American Guest Programmer in quite some time.  In the colorful video open for Guest Programmer night, you see a montage of previous celebrity programmers.  A few seen are Michael J. Fox, Cher, Bill Hader and Conan O'Brien.  We don't see any of the Black programmers.  We don't see Diahann Carroll, Lou Gossett, Whoopi Goldberg or Spike Lee.

There are many Black film critics/classic film fans in New York City.  I know.  I've seen them and talk to them at screenings.  We all share the same frustration.  We get tapped to be on TV and talk about films for Black History Month, but we never get called to be on set the morning the Oscar nominations are announced.  We're not called in for "mainstream" stuff like talks about films by William Wyler, Vincente Minnelli, Billy Wilder or George Cukor.  And, for some reason, news producers don't think African-Americans watch foreign classics by masters such as Fellini, De Sica, Kurosawa, Truffaut and Ingmar Bergman.  For us Black film reviewers, interviewers and film hosts, breaking through to be included in the general film discussion is always a long, hard continuous effort.

If would be great to see representations of myself blended into the TCM host segments and interstitial spots surrounding its great movie fare.

If you're new to this blog post, here's a bit of my previous work, by way of introduction.  Here's a clip of my entertainment editor work for ABC News...
.....a couple of minutes from my exclusive VH1 interview of Paul McCartney in London....
....and a short reel of some of my other film-related interviews.

Tuesday, May 23, 2017

I Miss Patrick Swayze

ABC will give us a new DIRTY DANCING, not exactly a remake of the surprisingly popular 1987 movie.  Some of the storyline has been beefed up.  Baby's parents are having marital bumps and we find out what happened to the two young lead dancers after that special summer ended.  I think I'm pretty safe in saying that DIRTY DANCING was the film that made Patrick Swayze a movie star.  And he deserved stardom.  I had a few great experiences with him during my TV career.  I will always think of him with a smile.  He was a down-home, regular guy who was a real gent, absolutely playful, loved his wife and loved performing.
I met him when I was new to New York City and working on local WPIX TV/Channel 11.  During that time, we ran into each other at an event party in downtown Manhattan and we chatted.  I asked him if he had anything new on his schedule and he told me about the DIRTY DANCING script.
Here's why I called it a "surprisingly popular" movie.  Back in the 1980s, we got Bill Murray comedies.  One was a summer camp comedy called MEATBALLS.  Patrick let his hair down at the party and revealed to me that he wasn't too sure about wanting to do the dance movie because the first draft of the script read, in his words, " MEATBALLS with music."
Obviously changes were made and obviously those changes worked.  The next time I saw Patrick, he was a guest on my first VH1 talk show.  I was on national TV and he had a national box office hit.  Lord, was he a fun guest!  No pretense, all charm and humor. And talent.

VH1 helped get people in movie theater seats, I'm sure.  We veejays introduced the film's music video to "The Time of My Laugh" on an hourly basis.  We also played Patrick's DIRTY DANCING music video. He sang "She's Like the Wind."  The movie's popularity inspired a DIRTY DANCING traveling show featuring dancers and songs used in the film.  We VH1 veejays gave viewers DIRTY DANCING Tour Dates every day in special promotional segments.

One time, I had to go to L.A. to tape some interviews for my VH1 talk show.  I stayed in a West Hollywood hotel that had a corporate account with MTV/VH1 Networks.  While I was there, I ran into Patrick.  He was the first ever movie celebrity who said to me, "Let's grab a beer."  And we did.

We laughed. We gossiped a little. He was extremely grateful for his career success.  He confided in me about how emotionally and physically taxing a day with the Barbara Walters TV crew was.  (Remember when he cried in a Barbara Walters special when she asked a certain question?)

I always felt that he would have been perfect in a good film version of A CHORUS LINE.  Yes, I know there was a film version of that truly iconic, Pulitzer Prize and Tony-winning Broadway musical.   But I said, "a good version."  And I also felt he would have been great in the tap dancing lawyer role Richard Gere did in the film version of the Broadway musical, CHICAGO.

When I was doing Whoopi Goldberg's national weekday radio show, which lasted from 2006 to 2008, we got word that Patrick would be in New York for stage readings of a musical that hoped to go to Broadway.  He'd take on the role Michael Landon did on TV for that stage musical version of LITTLE HOUSE ON THE PRAIRIE.  I told Whoopi and I wanted to get Patrick on our show.  I wanted to see him again.  It was then that Whoopi pulled me aside and told me the real story of how she got GHOST, the comedy that earned her an Oscar and put her in the Hollywood history books for 20 years as the only Black actress who had more than one Oscar nomination to her credit.  Whoopi's first nomination was in the Best Actress category for 1985's THE COLOR PURPLE.

Even with that Oscar nomination to her credit, she could not get an audition for 1990's GHOST. Her story is another example of how the playing field for us performers of color in the film/TV industry is rarely a level one.  The producers would not let her audition, they would not meet with her.  This rejection was extremely humiliating for her.  Keep in mind that Whoopi had had a humiliating experience a few years before GHOST when a film director, in front of others, caustically remarked that the did not find her pretty or sexually attractive enough for the female lead role she wanted.  That, too, was after she had a Best Actress Oscar nomination to her credit for THE COLOR PURPLE.

Patrick Swayne was already signed for GHOST.  When he heard that Whoopi Goldberg was being denied the opportunity to audition for it, he told the producers that if they didn't let her audition, he was pulling out of the project.
That's how Whoopi got to audition, that audition got her the part of Oda Mae, that performance got her an Oscar and she helped make GHOST a huge box office hit.  Patrick Swayze stepped up and helped a future friend in need.  He helped Whoopi get the respect she deserved.

Patrick Swayze didn't do the stage reading for LITTLE HOUSE ON THE PRAIRIE, the musical.  He'd been stricken with cancer.  I miss him.  I'll be thinking of Patrick a lot when I watch the new DIRTY DANCING on ABC.  He was quite a guy.

Monday, May 22, 2017

Javier Bardem, So Brilliant

Oscar-winner Javier Bardem is one excruciatingly handsome character actor.  Someone with those looks could have just coasted on his looks in a film and TV career.  But this Spaniard didn't.  He challenges himself in his choice of roles and his commitment makes for great viewing.  He will put on weight, he will shave off his hair to play a character.  Javier Bardem is serious about his craft.
I've been a fan of his since the early 90s.  That's when I saw him in the 1992 Spanish film Jamón, Jamón. That's the Spanish word for "ham."  The film combines ham and sex and absurd comedy.  There's also a scene in which Bardem and a fellow actor sneak into a ring to do some nighttime bullfighting.  Naked.  It's a memorable scene with two gifted actors.  And a bull.  Bardem was a top Spanish film actor before a well-deserved Oscar nomination put him on Hollywood's radar.
Javier Bardem was marvelous in 2004's THE SEA INSIDE, based on the real-life story of a man who was left quadriplegic for nearly 30 years after a diving accident.

I love him in the 2002 Spanish film, MONDAYS IN THE SUN (Los Lunes al Sol) as a papa bear of a laborer.  This movie would've gotten attention here in the States six or seven years later -- when we were in the grips of the Great Recession.
MONDAYS IN THE SUN shows us the perseverance, humiliations and breakthroughs of a group of middle-aged friends laid off from dockyard work and all seeking new employment.

In 1999's SECOND SKIN (Segunda Piel), Bardem bares all with friend and fellow versatile actor, Jordi Mollá.  Mollá, not as known to American audiences as Bardem has become, is also a highly popular actor in Spain.
In SECOND SKIN, Bardem is very good as the openly gay and respected surgeon who is falling in love with another man.

However, the boyfriend has a secret.  He's married.  He has a wife and child.  You can find SECOND SKIN on Amazon Video.  The steamy man-on-man lovemaking scenes in 1999's SECOND SKIN make the ones in 2005's BROKEBACK MOUNTAIN seem like a Hallmark Channel production.
Bardem won the Best Supporting Actor Oscar for playing the mysterious psychotic killer who's a plague on the land in the Coen Brothers 2007 film NO COUNTRY FOR OLD MEN.  Here's a clip.
 Bardem's performance in the 2010 Spanish film, BIUTIFUL, knocked me out.  He plays a street hustler with a psychic gift.  He's also the loving father of two kids and he's divorced from their bipolar, abusive mother. We watch to see if he can regain a spiritual balance in his life.  I said in a podcast and wrote on Twitter that his performance in this subtitled film could get him a Best Actor Oscar nomination.  ABC News entertainment contributor Chris Connelly said on GOOD MORNING AMERICA minutes before the nominations were announced that Bardem didn't have a chance -- mainly because his performance was totally in Spanish in a foreign film.  I was right.  Bardem did get a Best Actor Oscar nomination.
This weekend, he'll be seen as a eerie supernatural pirate villain opposite Johnny Depp in PIRATES OF THE CARIBBEAN 5.

Depp had a brief role in the biographical drama that brought Bardem his first Oscar nomination.  BEFORE NIGHT FALLS, released in 2000, is my favorite Bardem film performance. He played Cuban author and exile Reinaldo Arenas.  A gay man and a writer, he would be persecuted and imprisoned in Castro's Cuba.  Bardem and Johnny Depp worked together in BEFORE NIGHT FALLS.  Depp played a prison drag queen.
In its theatrical release, I paid to see thise film about three times.  Bardem moved me so.  This is a visually lyrical, politically strong and brilliantly acted film.  I highly recommend it.  Click onto this link to see a short trailer:

By the way, that prison drag queen did more to advance the work of a new author than Oprah Winfrey ever dreamed of doing within her daytime TV book club.  Trust me on this.

In the 1930s and into the 1940s, Universal became famous as the Hollywood studio of excellent monster movies, movies that made actor Boris Karloff famous.  It gave us FRANKENSTEIN, BRIDE OF FRANKENSTEIN, THE MUMMY, THE INVISIBLE MAN and others. The studio has tapped into the classic franchise again.  Tom Cruise and Russell Crowe will be seen in THE MUMMY come June.  Reportedly, Javier Bardem will play the monster husband in a new BRIDE OF FRANKENSTEIN.  Johnny Depp will play The Invisible Man.

Sunday, May 21, 2017

He Loved Bayard Rustin

A powerful figure. A peaceful activist.  College-educated.  He was Dr. Martin Luther King's top advisor.  Bayard Rustin was the architect of Dr. King's historic March on Washington in 1963.
Rustin introduced the Mahatma Gandhi's practices of non-violent resistance and political protest to Dr. King.  At the March on Washington, where Dr. King made his famous "I Have a Dream" speech, you can see Bayard Rustin behind him on the podium.  Bayard Rustin gave Dr. King's civil rights movement large mighty wings that enabled it to soar and make the whole world take notice of the cause.
Rustin was a talented intellect.  He was a musician and a singer who performed onstage with the legendary stage and film singer/actor and fellow activist, Paul Robeson.
Bayard Rustin also recorded albums.
Bayard Rustin's service to Civil Rights and other social issues was colossal.  He was a complicated Quaker -- and an openly gay African-American man at a time when one was supposed to keep that business way back in the closet.  If you're a young gay male American and you know more about Andy Cohen and some overly-made-up Real Housewives than you do about this great gay activist, then you need to spend the next 20 minutes or so with this blog post.  If you're African-American and you don't know about this man, you really need to watch what I've posted.

Here's a trailer for BROTHER OUTSIDER, a documentary about Bayard Rustin.
Bayard Rustin died in 1987 at age 75.  He did not live to see America elect its first Black president.  He did not live to see marriage equality become law in the United States.  In 2013, President Barack Obama posthumously awarded Mr. Rustin the Presidential Medal of Freedom.  For years, the monumental contributions of Bayard Rustin to the Civil Rights movement were not highlighted and honored or discussed in mainstream media because he was gay. He should've been honored with a Presidential Medal of Freedom during his lifetime.  There should be a big screen biopic on his life in production. This brilliant, vital man who organized the March on Washington had love in his life.  He was survived by a partner.  They lived together in the Chelsea section of New York City.

Take 16 minutes and meet him here in the short documentary feature called BAYARD & ME.

Saturday, May 20, 2017

Kerry Washington Dazzles Me

She hugged me in midtown Manhattan.  My heart took wing.  Kerry Washington gave me a hug on location in midtown Manhattan.  The director had just yelled "Cut!"  She was the leading lady, I was a background actor.  We were all shooting a street scene for the Chris Rock comedy, I THINK I LOVE MY WIFE.  I had a day off from my on-air morning job on Whoopi Goldberg's weekday radio show.  I got a call from casting office asking if I'd be interested in a few hours work as an extra.  Since the day of extra work fell on my day off, I decided to make a little extra money and take the gig.  I never expected that I would be recognized by gorgeous Kerry Washington, who went on to become the trailblazing star of SCANDAL.
Kerry became the first African-American female lead in a network drama in almost 40 years.  In 1974, the late Teresa Graves was an undercover cop on the ABC crime drama series, GET CHRISTIE LOVE!  Kerry has earned Emmy and Golden Globe nominations for her SCANDAL work on ABC TV.
If you want to spend some extra time with Kerry Washington, I have some movie tips for you.

When I saw  2006's THE LAST KING OF SCOTLAND, not only was I devastated by the brilliant performance Forest Whitaker gave as Idi Amin, I sat through the closing credits to catch the name of the gifted actress who played, Kay, one of the ruthless dictator's African wives.  I was positive she was an African actress who deserved to be known by Hollywood.  Watch this short clip:

Kerry's a New Yorker.  From The Bronx.  Like Jennifer Lopez.  Also in that clip with Kerry were actors James McAvoy and David Oyelowo.

I had no idea during THE LAST KING OF SCOTLAND that I was watching was the same actress who played Della Bea, the wife of legendary singer Ray Charles, in the 2004 biopic, RAY.  That's how good an actress Kerry is.  And she must also have magical powers on leading men.  Forest Whitaker won the Best Actor Oscar for THE LAST KING OF SCOTLAND and Jamie Foxx won the Best Actor Oscar for RAY.  She and Jamie reteamed for Quentin Tarantino's DJANGO UNCHAINED, Oscar nominee for Best Picture of 2012.
Another film performance Kerry gave before her network TV fame is seen in the 2009 indie movie, MOTHER AND CHILD.  This was not a drama that many moviegoers saw, but it is so good.  Trust me on this.  Annette Bening, Naomi Watts and Samuel L. Jackson are at their best in this film.  Mexican director Rodrigo Garcia gave us this film.  I don't want to reveal too much about this California story.  I will tell you that Bening plays a woman who was an unwed teen mother and gave her child up for adoption.  A world-wise nun, played by Cherry Jones, arranged the adoption.  The child is now grown.  Kerry Washington plays a married woman who can't have children and contacts the adoption agency.  The woman and her husband meet with a single pregnant woman who will give up her baby for adoption.
Kerry Washington, Samuel L. Jackson, Annette Bening, Naomi Watts, Cherry Jones and Jimmy Smits truly are worth your time in MOTHER AND CHILD.  Consider renting this drama.

As if that's not enough, Kerry Washington can make you laugh!  On NBC, she proved to be one of my favorite guest hosts on SATURDAY NIGHT LIVE.  Here she is in a sketch about the Miss Universe pageant.
About I THINK I LOVE MY WIFE.  There was a street scene.  I played a Manhattan businessman on his way to a meeting.  That was the motivation given to me by the crew person in charge of background actors.  I had to walk into a building lobby at the same time Chris Rock hit a certain mark on the pavement.  He'd stop and Kerry would enter the scene.  After one take, when the director yelled "Cut!," Chris Rock called out "Bobby Rivers! What the hell are you doing as an extra?"  He motioned me over and then Kerry came over and gave me a hug.  She'd watched me on Fox5 during my GOOD DAY NEW YORK morning news show years.  She was just as sweet as she could be.  It was a huge compliment to be recognized by them both.

That background actor work experience was great.  My part wound up on the cutting room floor...but, heck....I GOT A HUG FROM KERRY WASHINGTON!  And I got paid.

Friday, May 19, 2017

Basquiat, the Art of Millions

Black. Brilliant. Basquiat.  He started out as a street artist in New York City's East Village.  He was alive and working when I got to New York in the 80s.  He died at age 27.  One of his paintings made history this week.  Jean-Michel Basquiat's painting, called UNTITLED, sold for $110 million.  Today, Friday, on ABC's GOOD MORNING AMERICA, news anchor Amy Robach reported the sale of 1982's UNTITLED and casually remarked at the end "...some might call it 'Overpriced'?" So, I wrote this short post about the late artist.
I know GMA's Amy Robach didn't mean that remark to be snarky.  However, I flinched when she said it because Basquiat is someone a school student could do a paper on for Black History Month.  Millions of Amy's viewers may not know that the artist was Black.  His work was significant.  So significant that one artist directed a biopic on the late artist.  The biopic starred David Bowie, Benecio Del Toro, Dennis Hopper, Christopher Walken, Courtney Love and Tatum O'Neal.  Basquiat was played by the remarkable Broadway, TV and film actor, Jeffrey Wright.
About the painting:  Jonathan Jones, columnist for Britain's THE GUARDIAN, feels that the work -- now the most expensive American painting ever sold -- is worth the money.  Jones writes "...his art of American violence is priceless."  Jones continued, "Basquiat's skull tells the same truth old blues songs do.  It's the skull of someone lynched.  The skull of a slave.  The skull of a death-row prisoner."
Julian Schnable is a celebrated artist who became a celebrated filmmaker.  Schnable directed Javier Bardem to a Best Actor Oscar nomination for the 2000 biopic, BEFORE NIGHT FALLS.  Years before that, Schnable directed BASQUIAT.  The 1996 film, available on Amazon Video, was about his fellow New York City artist.  Here's a trailer for BASQUIAT:
Actor Jeffrey Wright later played Dr. Martin Luther King, Jr in the TV movie, BOYCOTT.  He was in Jonathan Demme's remake of THE MANCHURIAN CANDIDATE, Mike Nichols' ANGELS IN AMERICA, CASINO ROYALE and QUANTUM OF SOLACE with Daniel Craig as James Bond and THE HUNGER GAMES.

Here is a short interview with the real life Jean-Michel Basquiat:
We have seen films about white painters, some who never lived to see their brilliant work make millions.  Artists like Vincent van Gogh and Modigliani, both of whom died broke.  Rarely is a movie bio about one such celebrated painter focused on a Black artist.

There you have it.  A little history today on a late artist whose painting made history this week.